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PEINTURE SCULPTURE\/CERAMIQUE [\/et_pb_text][et_pb_divider color=\u00a0\u00bb#D6D6D6″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||29px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00a0EXPOSITIONS<\/span><\/p>\n \u00a02021<\/strong><\/p>\n \u2022 Galerie d\u2019art Substance – Villeurbanne\u00a0<\/span><\/p>\n \u2022 Galerie LUNE – Gap\u00a0<\/span><\/p>\n \u2022 Galerie L\u2019Art Demeure – Saint-Etienne<\/p>\n 2022<\/strong><\/p>\n \u2022 Salon d\u2019art Regain Art Lyon – Lyon<\/p>\n \u2022 Salon d\u2019art Sol\u2019Art – Tassin la demi-lune<\/p>\n \u2022 Salon d\u2019art Art3f – Lyon<\/p>\n \u2022 Salon d\u2019art – Chatou\/Paris<\/p>\n 2023<\/strong><\/p>\n \u2022 Salon d\u2019art Regain Art Lyon – Lyon<\/p>\n \u2022 Galerie d’art Les Terres de l\u2019Hermitage – Le Puy en Velay<\/p>\n \u2022 Salon d\u2019art Sol\u2019Art – Tassin la demi-lune<\/p>\n \u2022 Salon d\u2019art – Beynost<\/p>\n \u2022 Galerie d\u2019art de la Tour – Lyon<\/p>\n \u2022 Galerie d\u2019art Sablon Art – Bruxelles<\/p>\n \u2022 Salon d\u2019art – Cours la ville<\/p>\n \u2022 Galerie d\u2019art Rue des Artistes – Saint-Etienne<\/p>\n 2024<\/strong><\/p>\n \u2022 Galerie d\u2019art Entrevue – Charbonni\u00e8re les Bains<\/strong><\/p>\n \u2022 111 des Arts – Lyon<\/p>\n \u2022 Salon d\u2019art Regain Art Lyon – Lyon<\/p>\n \u2022 Salon d\u2019art Sol\u2019Art – Tassin la demi-lune<\/p>\n \u2022 Villa d\u2019art Monderoux – Beynost<\/p>\n \u2022 Hall des Blancs Manteaux – Paris<\/p>\n \u2022 Art Cit\u00e9 – Bourg-en-Bresse<\/p>\n \u2022 Rendez-vous des artistes – Saint-Cyr au mont d’or<\/p>\n \u2022 Le Lobster – Saint-Etienne<\/p>\n \u2022 Salon Art actuel – Chazelles-sur-Lyon<\/p>\n 2025<\/strong><\/p>\n \u2022 Bastille design center – Paris<\/p>\n \u2022 Galerie d\u2019art Sablon Art – Bruxelles<\/p>\n \u2022 Villa d\u2019art Monderoux – Beynost<\/p>\n \u2022 Galerie d\u2019art XXI – Montbrison<\/p>\n \u2022 Galerie d\u2019art Catherine Mainguy – Lyon<\/p>\n \u2022 Salon Art actuel – Chazelles-sur-Lyon<\/p>\n <\/p>\n <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb41px|||||\u00a0\u00bb border_width_top=\u00a0\u00bb1px\u00a0\u00bb border_color_top=\u00a0\u00bb#D6D6D6″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb10px||3px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00a92024 Bruno Chiapello – Mentions l\u00e9gales<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" PEINTUREMon travail propose un vocabulaire visuel d\u2019abstraction contr\u00f4l\u00e9e.\u00a0D\u2019un c\u00f4t\u00e9, on rel\u00e8ve des blocs g\u00e9om\u00e9triques, des plans superpos\u00e9s,\u00a0un jeu de transparences\u00a0 notamment quand le blanc intervient comme\u00a0masque et r\u00e9v\u00e8le une nouvelle perspective, de l\u2019autre, cette g\u00e9om\u00e9trie ne reste pas fig\u00e9e : elle se brise, se relie, se lib\u00e8re. Je parle de \u00ab brutal ou plus organique […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-149","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bruno-chiapello.fr\/index.php\/wp-json\/wp\/v2\/pages\/149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bruno-chiapello.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bruno-chiapello.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bruno-chiapello.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bruno-chiapello.fr\/index.php\/wp-json\/wp\/v2\/comments?post=149"}],"version-history":[{"count":5,"href":"https:\/\/www.bruno-chiapello.fr\/index.php\/wp-json\/wp\/v2\/pages\/149\/revisions"}],"predecessor-version":[{"id":377,"href":"https:\/\/www.bruno-chiapello.fr\/index.php\/wp-json\/wp\/v2\/pages\/149\/revisions\/377"}],"wp:attachment":[{"href":"https:\/\/www.bruno-chiapello.fr\/index.php\/wp-json\/wp\/v2\/media?parent=149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/span>Mon travail propose un vocabulaire visuel d\u2019abstraction contr\u00f4l\u00e9e.\u00a0<\/span><\/span>D\u2019un c\u00f4t\u00e9, on rel\u00e8ve des blocs g\u00e9om\u00e9triques, des plans superpos\u00e9s,\u00a0<\/span><\/span>un jeu de transparences\u00a0 <\/span>notamment quand le blanc intervient comme\u00a0<\/span><\/span>masque et r\u00e9v\u00e8le une nouvelle perspective, de l\u2019autre, cette g\u00e9om\u00e9trie ne reste pas fig\u00e9e : elle se brise, se relie, se lib\u00e8re. Je parle de \u00ab brutal ou plus organique \u00bb pour qualifier cette imbrication.\u00a0<\/span><\/span>Cette dualit\u00e9, rigueur\/graphisme et instabilit\u00e9\/\u00e9motion, est centrale: chaque \u0153uvre est con\u00e7ue comme une sorte d\u2019autoportrait.\u00a0<\/span><\/span>Brutal, g\u00e9om\u00e9trique ou plus sensuel, illustration du reflet de mes\u00a0<\/span><\/span>\u00e9motions du moment \u00bb.\u00a0
<\/span><\/span>Ainsi, mon travail ne se contente pas d\u2019une abstraction froide, mais je cherche \u00e0 injecter un v\u00e9cu, une temporalit\u00e9, un mouvement \u00e9motionnel.<\/span><\/p>\n
<\/span>Je travaille mes sculptures comme des constructions architecturales primitives et brutalistes, avec des lignes massives, des ar\u00eates franches, et une verticalit\u00e9 imposante. On pourrait penser \u00e0 une tour, une ruine, un vestige d\u2019un monde ancien et robuste, presque sacr\u00e9. La texture est rugueuse, volontairement brute. Les marques laiss\u00e9es par le travail de la mati\u00e8re sont visibles et participent \u00e0 l\u2019expressivit\u00e9 de l\u2019objet. Cela sugg\u00e8re une volont\u00e9 de laisser parler la main, d\u2019assumer la trace du geste, une esth\u00e9tique proche du wabi-sabi (beaut\u00e9 de l\u2019imparfait). Le brun fonc\u00e9 presque noir rappelle des mat\u00e9riaux comme le bois br\u00fbl\u00e9, le bronze oxyd\u00e9 et m\u00eame certaines pierres volcaniques ce qui donne un aspect tr\u00e8s min\u00e9ral ou m\u00e9tallique. J\u2019essaye de proposer un art primitif avant-gardiste.<\/span>\u00a0<\/p>\n